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Cinderella 1 Full Movie In English

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1950 American animated musical fantasy film produced by Walt Disney

Cinderella
Cinderella (Official 1950 Film Poster).png

Original theatrical release poster
Directed by
  • Hamilton Luske
  • Wilfred Jackson
  • Clyde Geronimi
Story by
  • William Peet
  • Ted Sears
  • Homer Brightman
  • Kenneth Anderson
  • Erdman Penner
  • Winston Hibler
  • Harry Reeves
  • Joe Rinaldi
Based on Cinderella
past Charles Perrault
Produced past Walt Disney
Starring
  • Ilene Forest
  • Eleanor Audley
  • Verna Felton
  • Rhoda Williams
  • James MacDonald
  • Luis van Rooten
  • Don Barclay
  • Mike Douglas
  • William Phipps
  • Lucille Elation
Narrated by Betty Lou Gerson
Edited past Donald Halliday
Music by
  • Oliver Wallace
  • Paul J. Smith

Product
company

Walt Disney Productions
Distributed by RKO Radio Pictures

Release dates
  • February 15, 1950 (1950-02-15) (Boston)
  • March 4, 1950 (1950-03-04) (U.s.)

Running time

 74 minutes[1]
Country United States
Language English
Budget $2.ii million[ii] [3]
Box office $182 million[four]

Cinderella is a 1950 American animated musical fantasy film produced past Walt Disney. Based on the fairy tale of the same proper noun by Charles Perrault, it is the 12th Disney animated feature film. The film was directed past Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. Mack David, Jerry Livingston, and Al Hoffman wrote the songs, which include "Cinderella", "A Dream Is a Wish Your Heart Makes", "Oh, Sing Sweet Nightingale", "The Piece of work Song", "Bibbidi-Bobbidi-Boo", and "So This is Beloved". It features the voices of Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, James MacDonald, Luis van Rooten, Don Barclay, Mike Douglas, William Phipps, and Lucille Bliss.

During the early on 1940s, Walt Disney Productions had suffered financially afterward losing connections to the European moving-picture show markets due to the outbreak of World War 2. Because of this, the studio endured box office bombs such as Pinocchio (1940), Fantasia (1940), and Bambi (1942), all of which would afterward go more successful with several re-releases in theaters and on domicile video. By 1947, the studio was over $iv million in debt and was on the verge of defalcation. Walt Disney and his animators returned to feature moving picture production in 1948 after producing a cord of packet films with the idea of adapting Charles Perrault'south Cendrillon into an animated film.[5]

After two years in production, Cinderella was released by RKO Radio Pictures on Feb 15, 1950. It became the greatest critical and commercial hit for the Disney studio since the first full-length animated film Snow White and the Seven Dwarfs (1937) and helped opposite the studio's fortunes.[5] It received three Academy Award nominations, including All-time Music, Original Song for "Bibbidi-Bobbidi-Boo".[5]

Decades later, it was followed by two direct-to-video sequels, Cinderella II: Dreams Come True (2002) and Cinderella III: A Twist in Time (2007),[v] and a 2015 live-action adaptation directed past Kenneth Branagh.[6] The castle featured in the film has go an icon of The Walt Disney Company, serving as a footing for the product logo of Walt Disney Pictures. A real life construction of the castle was built at the Magic Kingdom park at Walt Disney Globe, as well at Tokyo Disneyland.[5]

In 2018, the moving picture was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[seven] [eight]

Plot [edit]

When Cinderella is a immature girl, her widowed father marries Lady Tremaine, a widow with 2 daughters of her own. He dies shortly thereafter. Lady Tremaine, jealous of her stepdaughter's beauty and determined to forward her own daughters' interests, orders Cinderella to become a scullion in her own château, banishing her to the cranium and overburdening her with chores. Cinderella's stepsisters, Anastasia and Drizella, also take advantage of her meekness, mocking her and calculation to her workload. Despite this, Cinderella remains kind of middle, obediently doing her chores whilst taking care of the mice and birds that live in the château, making friends of them. She also protects them from being eaten by her stepmother's cat Lucifer, who makes her duties even harder in retaliation.

One day, the local Rex becomes impatient for his son to provide him with grandchildren. Despite the objections of the Grand Duke, the Male monarch invites all the eligible maidens in the kingdom to a royal ball, so that the Prince will choose ane as his married woman. Wanting to attend, Cinderella finds a wearing apparel of her tardily mother's to fix up. Her stepmother and stepsisters, afraid she will upstage them at the ball, deliberately proceed her decorated with no time to spare. Jaq, Gus, and the other animals decide to ready up the dress for Cinderella, using beads and a sash discarded by the stepsisters. However, when Cinderella attempts to become to the ball with her family, her stepsisters recognize their holding and angrily tear the apparel into rags, earlier leaving Cinderella behind.

A distraught Cinderella storms out to the garden in tears, kneeling past a stone bench. In that location, she is met by her Fairy Godmother, who has come to aid. She transforms Jaq, Gus, and 2 other mice into four white horses, a pumpkin into a coach, and Cinderella'due south onetime horse Major and bloodhound Bruno into a coachman and footman, respectively. The fairy godmother also gives Cinderella a shimmering ball gown and glass slippers, but warns her that the magic will all end on the stroke of midnight.

Cinderella arrives at the ball, and is not recognized by her stepsisters, though her stepmother believes something is familiar nigh her. The Prince is instantly smitten, so the King orders the G Duke to make certain the romance goes without a hitch. The Knuckles prevents anyone from interfering as Cinderella and the Prince trip the light fantastic toe a flit and wander out to the palace grounds, falling deeper in honey. Withal, when Cinderella hears the clock tolling midnight, she runs away before she and the Prince can substitution names. Despite the efforts of the Thousand Knuckles, Cinderella flees the palace, losing one of her slippers on the staircase. The palace guards pursue, but when the magic ends on the stroke of 12, Cinderella and the animals revert to their former appearances and hide in the woods. Cinderella discovers the other glass slipper is still on her human foot, and takes it habitation with her.

The Prince promises he will marry none simply the daughter who fits the drinking glass slipper. Elated, the King orders the One thousand Duke to attempt the shoe on every girl in the kingdom until he finds a lucifer. When the news reaches the chateau, Cinderella is shocked to realize information technology was the Prince she met. Hearing Cinderella humming the flit from the ball, Lady Tremaine realizes the truth and locks Cinderella in the cranium. While the stepsisters unsuccessfully try on the slipper, Jaq and Gus steal the key back from Lady Tremaine. As they take the key to Cinderella, they are intercepted by Match. The birds summon Bruno, who scares Lucifer out of the house, and a freed Cinderella hurries to meet the K Duke.

In a concluding effort to prevent Cinderella from overshadowing her daughters, Lady Tremaine causes a page to trip and intermission the drinking glass slipper. Cinderella reveals she has the other slipper, which the Grand Duke places on her foot, much to Lady Tremaine's dismay. Cinderella and the Prince are married, and share a kiss as they ready off in a wagon for their honeymoon.

Cast [edit]

  • Ilene Woods (vocalism); Helene Stanley (alive-action model) every bit Cinderella
  • Eleanor Audley equally Lady Tremaine
  • Verna Felton (vox); Claire Du Brey (alive-activity model) equally the Fairy Godmother
  • William Edward Phipps (speaking phonation); Mike Douglas (singing vocalisation); Jeffrey Stone (live-activeness model) as Prince Charming
  • Lucille Bliss (vocalisation); Helene Stanley (live-action model) every bit Anastasia
  • Rhoda Williams as Drizella
  • Jimmy MacDonald equally Jaq, Gus and Bruno
  • Luis van Rooten as The King and the Chiliad Duke
  • June Foray as Lucifer
  • Betty Lou Gerson as the Narrator

Animators [edit]

  • Marc Davis, Eric Larson, and Les Clark were the supervising animators of Cinderella.
  • Frank Thomas was the supervising animator of Lady Tremaine.
  • Milt Kahl was the supervising animator of Fairy Godmother.
  • Ollie Johnston was the supervising animator of Drizella Tremaine and Anastasia Tremaine.
  • Ward Kimball, Wolfgang Reitherman, and John Lounsbery were the supervising animators of Jaq and Gus.
  • Ward Kimball, John Lounsbery, and Norm Ferguson were the supervising animators of Bruno and Friction match.
  • Milt Kahl and Norman Ferguson were the supervising animators of The Rex.
  • Frank Thomas, Milt Kahl, and Norman Ferguson were the supervising animators of The K Duke.

Product [edit]

Story development [edit]

In 1922, Walt Disney produced a Laugh-O-Gram drawing based on "Cinderella", and he had been interested in producing a second version in December 1933 as a Lightheaded Symphony short. Burt Gillett was fastened as the director while Frank Churchill was assigned every bit the composer. A story outline included "white mice and birds" as Cinderella'due south playmates. To aggrandize the story, storyboard artists suggested visual gags, some of which concluded up in the last film.[9] However, by early 1938, the story proved to be likewise complicated to be condensed into a brusk and so it was suggested equally a potential animated feature film, starting with a fourteen-page outline written past Al Perkins.[10] [xi] Ii years later, a second handling was written by Dana Cofy and Bianca Majolie, in which Cinderella's stepmother was named Florimel de la Pochel; her stepsisters as Wanda and Javotte; her pet mouse Dusty and pet turtle Clarissa; the stepsisters' true cat Bon Bob; the Prince's aide Spink, and the stepsisters' dancing instructor Monsieur Carnewal. This version stuck closely to the original fairy tale until Cinderella arrives home late from the 2nd ball. Her stepfamily and so imprisons Cinderella in a dungeon cellar. When Spink and his troops arrive at the la Pochel residence, Dusty takes the slipper and leads them to free Cinderella.[12]

By September 1943, Disney had assigned Dick Huemer and Joe Grant to brainstorm work on Cinderella as story supervisors and given a preliminary budget of $1 million.[thirteen] However, past 1945, their preliminary story piece of work was halted.[14] During the writing stages of Song of the South (1946), Dalton South. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella.[15] In his version, Cinderella was written to be a less passive character than Snow White, and more than rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered on a platter. Y'all've got to earn it. So in my version, the Fairy Godmother said, 'It'due south okay till midnight but from then on information technology'due south up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop existence a slave in her own dwelling house. Then I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, and then they lock her up in the attic. I don't think anyone took (my thought) very seriously."[xvi]

In spring 1946, Disney held three-story meetings, and subsequently received handling from Ted Sears, Homer Brightman, and Harry Reeves dated March 24, 1947. In the treatment, the Prince has introduced earlier in the story reminiscent of Snow White and the Vii Dwarfs (1937),[17] and there was a hint of the cat-and-mouse disharmonize. By May 1947, the first rough phase of storyboarding was in the procedure, and an inventory report that aforementioned month suggested a different approach with the story "largely through the animals in the barnyard and their observations of Cinderella's day-to-day activities".[17]

Post-obit the theatrical release of Fun and Fancy Free (1947), Walt Disney Productions' bank debt declined from $four.ii million to $3 million.[18] Around this time, Disney acknowledged the need for sound economic policies only emphasized to the loaners that slashing production would be suicidal. To restore the studio to full financial health, he expressed his desire to return to producing full-length blithe films. By then, three animated projects—Cinderella, Alice in Wonderland (1951), and Peter Pan (1953)—were in development. Disney felt the characters in Alice in Wonderland and Peter Pan was too cold, while Cinderella contained elements similar to Snowfall White, and greenlit the project. Selecting his top-tier blitheness talent, Ben Sharpsteen was assigned every bit supervising producer while Hamilton Luske, Wilfred Jackson, and Clyde Geronimi became the sequence directors.[19] Still, production on Alice resumed so that both animation crews would effectively compete against each other to run across which motion-picture show would cease first.[20]

Past early 1948, Cinderella had progressed farther than Alice in Wonderland, and was fast-tracked to become the first full-length animated film since Bambi (1942).[17] During a story meeting on January 15, 1948, the cat-and-mouse sequences began to abound into an important chemical element in the film so much that Disney placed veteran story artist Bill Peet in charge of the cat-and-mouse segments.[21]

By the belatedly 1940s, Disney's involvement during production had shrunken noticeably. As he was occupied with trains and the filming of Treasure Isle (1950), the directors were left to exercise their ain judgment more on details.[22] Although Disney no longer held daily story meetings, the three directors nevertheless communicated with him by mailing him memoranda, scripts, Photostats of storyboards, and acetates of soundtrack recordings while he was in England for two and a half months during the summertime of 1949. When Disney did not respond, work resumed then had to exist undone when he did.[23] In one instance, when Disney returned to the studio on August 29, he reviewed Luske'southward blitheness sequences and ordered numerous minor changes, likewise equally a significant reworking of the film's climax. Production was finished by October 13, 1949.[3]

Casting [edit]

Mack David and Jerry Livingston had asked Ilene Woods to sing on several demo recordings of the songs. They had previously known her from her eponymous radio show, which was broadcast on ABC. The show featured xv minutes of music, in which David and Livingston had their music presented.[24] Two days later, Woods received a telephone call from Disney, with whom she immediately scheduled an interview. Woods recalled in an interview with the Los Angeles Times, "We met and talked for a while, and he said, 'How would you similar to be Cinderella?'," to which she agreed.[25]

For the role of Match, a studio representative asked June Foray if she could provide the voice of a cat. "Well, I could exercise anything," recalled Foray, "So he hired me as Lucifer the cat in Cinderella".[26]

Animation [edit]

Alive-action reference [edit]

Starting in spring 1948, actors were filmed on large soundstages mouthing to a playback of the dialogue soundtrack.[27] Disney had previously used alive-action reference on Snow White and the Seven Dwarfs (1937), Pinocchio (1940), and Fantasia (1940), but equally part of an effort to proceed the production price downwards, the footage was used to cheque the plot, timing, and movement of the characters before animative it.[28] The footage was then edited frame-by-frame onto large Photostat sheets to indistinguishable, in which the animators found likewise restrictive as they were not allowed to imagine annihilation that the live actors did not nowadays since that kind of experimentation might necessitate changes and cost more coin. Additionally, the animators were instructed to depict from a sure directorial perspective to avert difficult shots and angles.[29] Frank Thomas explained, "Anytime you'd think of some other way of staging the scene, they'd say: 'We can't get the camera upward there'! Well, yous could get the animation camera up at that place! So y'all had to go with what worked well in alive-action."[28]

Walt Disney hired extra Helene Stanley to perform the alive-activeness reference for Cinderella, allowing artists to draw animated frames based on the movements of the actress.[30] She later did the same kind of work for the characters of Princess Aurora in Sleeping Beauty (1959) and Anita Radcliffe in One Hundred and One Dalmatians (1961).[30] Animators modeled Prince Mannerly on actor Jeffrey Stone, who also provided some boosted voices for the film.[31] Claire Du Brey served as the live-activity reference for the Fairy Godmother,[32] although the design for the character was based on Mary Alice O'Connor (the wife of layout creative person Ken O'Connor).[33]

Character animation [edit]

By 1950, the Animation Board—which had been established every bit early on as 1940 to help with the direction of the blitheness department—had settled down to nine supervising animators. Although they were still in their thirties, they were jokingly referred by Walt Disney every bit the "Ix Old Men" after President Franklin D. Roosevelt's denigration of the Supreme Court.[34] [35] Including Norman Ferguson, the primary animators included Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Frank Thomas, and Wolfgang Reitherman.[36]

Larson was the first to breathing the title character whom he envisioned as a xvi-yr-former with braids and a pug nose. Marc Davis later animated Cinderella, which Larson observed as "more the exotic dame" with a long swanlike neck. Because the final graphic symbol pattern was not ready, assistant animators were responsible for minimizing the differences.[22] When Disney was asked what was his favorite piece of animation, he answered, "I estimate it would take to be where Cinderella gets her ballroom gown", which was animated past Davis.[37]

Milt Kahl was the directing animator of the Fairy Godmother, the King, and the Grand Duke.[38] Originally, Disney intended for the Fairy Godmother to exist a tall, regal graphic symbol as he viewed fairies as tall, motherly figures (as seen in the Blue Fairy in Pinocchio (1940)), but Milt Kahl disagreed with this label. Post-obit the casting of Verna Felton, Kahl managed to convince Disney of his undignified concept of the Fairy Godmother.[21]

Unlike the human characters, the brute characters were blithe without live-activity reference.[39] During production, none of Kimball's designs for Lucifer had pleased Disney. After visiting Kimball's steam train at his dwelling house, Disney saw his calico cat and remarked, "Hey—there'due south your model for Lucifer".[36] Reitherman animated the sequence in which Jaq and Gus laboriously drag the key up the flight of stairs to Cinderella.[40]

Music [edit]

"Cinderella (1997 soundtrack)" redirects here. For the music featured on the moving-picture show released on that twelvemonth, see Cinderella (1997 motion picture) § Music.

Cinderella
Soundtrack album by

Various artists
Released February iv, 1997
Label Walt Disney

In 1946, story artist and role-time lyricist Larry Morey joined studio music manager Charles Walcott to etch the songs. Cinderella would sing three songs: "Sing a Little, Dream a Lilliputian" while overloaded with work, "The Mouse Song" as she dressed the mice, and "The Wearing apparel My Mother Wore" every bit she fantasizes about her female parent'south old wedding clothes. To recycle an unused fantasy sequence from Snow White, the song, "Dancing on a Cloud" was used every bit Cinderella and the Prince waltz during the brawl. Later on the brawl, she would sing "I Lost My Middle at the Ball" and the Prince would sing "The Face That I Come across in the Nighttime." However, none of their songs were used.[16]

Ii years later, Disney turned to Tin Pan Aisle songwriters Mack David, Jerry Livingston, and Al Hoffman to etch the songs.[41] They were the showtime professional person composers to exist hired exterior the production visitor.[5] The trio had previously written the song "Chi-Baba, Chi-Baba" that Disney heard on the radio and decided would work well with the Fairy Godmother sequence. They finished the songs in March 1949.[42] In full half-dozen songs were performed in the film: "Cinderella", "A Dream Is a Wish Your Heart Makes", "Oh, Sing Sweet Nightingale", "The Piece of work Song", "Bibbidi-Bobbidi-Boo", and "And so This is Love".

Oliver Wallace and Paul Smith composed the score, but only after the blitheness was gear up for inking, which was incidentally like to scoring a live-activity film. This was a drastic change from the earlier Disney animated features in which the music and action were carefully synchronized in a process known as Mickey Mousing.[22]

The film also marked the launching of the Walt Disney Music Company. The soundtrack was also a first in using multi-tracks for vocals – with the vocal "Oh, Sing Sweet Nightingale", Ilene Woods recorded a second and third vocal runway to enable her to sing harmony with herself.[5]

On February 4, 1950, Billboard announced that RCA Records and Disney would release a children's album in conjunction with the theatrical release.[43] The RCA Victor anthology release sold about 750,000 copies during its offset release, and hit number-ane on the Billboard pop charts.[44]

The soundtrack for Cinderella was released by Walt Disney Records on CD on February 4, 1997, and included a bonus demo.[45] On Oct 4, 2005, Disney released a special edition of the soundtrack album of Cinderella, for the Platinum Edition DVD release, which includes several demo songs cut from the final flick, a new vocal, and a cover version of "A Dream is a Wish Your Eye Makes".[46] The soundtrack was released again on October 2, 2012, and consisted of several lost chords and new recordings of them.[47] A Walmart exclusive express edition "Music Box Prepare" consisting of the soundtrack without the lost chords or bonus demos, the Vocal and Story: Cinderella CD and a bonus DVD of Tangled Ever Afterward was released on the aforementioned twenty-four hour period.[48]

In conjunction with the film's 65th anniversary, the soundtrack for Cinderella was re-released in 2015 as part of the Legacy Collection.[49]

Songs [edit]

Original songs performed in the film include:

Release [edit]

The motion picture was originally released in theaters on Feb 15, 1950, in Boston, Massachusetts.[50] Cinderella was re-released in 1957, 1965, 1973, 1981 and 1987.[5] Cinderella too played a limited engagement in select Cinemark Theatres from February 16–18, 2013.[51]

Critical reaction [edit]

The moving-picture show became a critical success garnering the best reception for a Disney animated film since Dumbo. In a personal letter to Walt Disney, director Michael Curtiz hailed the picture as the "masterpiece of all pictures you have done." Producer Hal Wallis declared, "If this is not your best, information technology is very close to the top."[52] Mae Tinee, reviewing for the Chicago Tribune, remarked: "The film non only is handsome, with imaginative art and glowing colors to bedeck the former fairy tale, but it also is told gently, without the lurid villains which sometimes give little tots nightmares. It is enhanced by the sudden, piquant touches of humor and the music which appeal to one-time and young."[53] Time magazine wrote that "Cinderella is beguiling proof that Walt Disney knows his style around fairyland. Harking back to the style of Snow White and the Seven Dwarfs (1937), a pocket-sized army of Disney craftsmen have given the centuries-onetime Cinderella story a dewy radiance of comic verve that should brand children feel similar elves and adults feel similar children."[54]

However, the characterization of Cinderella received a mixed reception. Bosley Crowther of The New York Times wrote, "The cute Cinderella has a voluptuous face up and form—not to mention an eager disposition—to compare with Al Capp's Daisy Mae." However, criticizing her office and personality, Crowther opined, "As a issue, the situation in which they are mutually involved have the constraint and immobility of console-expressed episodes. When Mr. Disney tries to make them behave like human beings, they're banal."[55] Similarly, Variety claimed the picture show plant "more success in projecting the lower animals than in its central character, Cinderella, who is on the colorless, doll-faced side, as is the Prince Charming."[56]

Gimmicky reviews have remained positive. Roger Ebert of the Chicago Sun-Times awarded the flick three out of four stars during its 1987 re-release.[57] Jonathan Rosenbaum of the Chicago Reader wrote the movie "shows Disney at the tail cease of his best catamenia, when his backgrounds were nonetheless luminous with depth and detail and his incidental characters still had range and bite."[58] The review aggregator website Rotten Tomatoes reported the moving picture received an approval rating of 97% based on 35 reviews with an average score of 8/10. The website'southward critical consensus reads, "The rich colors, sugariness songs, adorable mice and endearing (if suffering) heroine make Cinderella a nostalgically lovely charmer."[59]

Box office [edit]

The film was Disney's greatest box office success since Snowfall White and the 7 Dwarfs,[3] earning most $iv.28 million in distributor rentals (the distributor's share of the box office gross) from the The states and Canada.[60] It was the 5th highest-grossing flick released in Northward America in 1950. It was the fifth most popular movie at the British box office in 1951.[61] The movie is France's sixteenth biggest picture of all time in terms of admissions with xiii.2 million tickets sold.[62]

The success of Cinderella allowed Disney to carry on producing films throughout the 1950s past which the profits from the film'due south release, with the additional profits from record sales, music publishing, publications, and other merchandise gave Disney the cash flow to finance a slate of productions (animated and live-action), establish his ain distribution visitor, enter television production, and begin building Disneyland during the decade, also as developing the Florida Project, subsequently known every bit Walt Disney World.[38]

Cinderella has had a lifetime domestic gross of $93 million,[4] [63] [64] [65] and a lifetime worldwide gross of $182 million beyond its original release and several reissues.[4] Adjusted for inflation, and incorporating subsequent releases, the film has had a lifetime gross of $565 meg.[66]

Accolades [edit]

In June 2008, the American Film Plant revealed its "10 Summit 10"— the best ten films in ten "classic" American film genres—after polling over one,500 people from the creative customs. Cinderella was acknowledged as the ninth greatest film in the animation genre.[74] [75]

American Motion-picture show Constitute recognition:

  • AFI's 100 Years...100 Movies – Nominated
  • AFI's 100 Years...100 Passions – Nominated
  • AFI's 100 Years...100 Heroes and Villains:
    • Lady Tremaine (Stepmother) – Nominated Villain
  • AFI'southward 100 Years...100 Songs:
    • Bibbidi-Bobbidi-Boo – Nominated
    • A Dream Is A Wish Your Heart Makes – Nominated
  • AFI'south Greatest Movie Musicals – Nominated
  • AFI'southward 100 Years...100 Movies (10th Anniversary Edition) – Nominated
  • AFI's 10 Elevation 10 – #nine Animated film

Home media [edit]

Cinderella was released on VHS and LaserDisc on Oct 4, 1988 as part of the Walt Disney Classics collection. The release had a promotion with a free lithograph reproduction for those who pre-ordered the video before its release date. Disney had initially shipped iv.3 meg VHS copies to retailers, but due to strong consumer demand, more seven million copies were shipped.[76] At the time of its initial home video release, information technology was the best-selling VHS championship until it was overtaken past E.T. the Actress-Terrestrial (1982).[77] The VHS release was placed into moratorium on Apr 30, 1989,[78] [79] with 7.ii million copies sold and having grossed $108 1000000 in sales revenue.[eighty]

On October 4, 1995, a digitally remastered edition of motion-picture show was released on VHS and LaserDisc equally office of the "Walt Disney Masterpiece Collection", and later in the UK on November 24, 1997. Both editions were accompanied past "The Making of Cinderella" featurette. A Deluxe LaserDisc included the featurette, an illustrated, hardcover book retelling the story with pencil tests and conceptual art from the film, and a reprint of the film's artwork.[81] Disney shipped more than 15 million VHS copies, of which 8 meg were sold in the first month.[82]

On October 4, 2005, Disney released the film on DVD with a digitally remastered transfer. This release was the sixth installment of the Walt Disney Platinum Editions series. Co-ordinate to Home Media Mag, Disney sold 3.2 million copies in its offset week, which earned over $64 million in sales.[83] The Platinum Edition was also released on VHS, but the only special feature was the "A Dream Is a Wish Your Eye Makes" music video by the Disney Channel Circumvolve of Stars. The Platinum Edition DVD, along with the sequels to the moving-picture show, went into the Disney Vault on January 31, 2008. In the United kingdom of great britain and northern ireland and Republic of ireland, a "Majestic Edition" of Cinderella was released on DVD on April 4, 2011, to commemorate the UK Majestic Wedding of Prince William and Catherine Middleton. This release had a unique limited edition number on every slipcase and an exclusive art card.[84]

On October ii, 2012, a 3-disc Blu-ray/DVD/Digital Copy Combo Diamond Edition was released. The Diamond Edition release too included a 2-disc Blu-ray/DVD combo and a 6-disc "Jewelry Box Set" that included the showtime film aslope both its sequels. A 1-disc DVD edition was released on November 20, 2012.[85] The Diamond Edition release went dorsum into the Disney Vault on January 31, 2017.

Cinderella was re-released on Hard disk digital download on June 18, 2019, with a physical media re-release on Blu-ray on June 25, 2019, as office of the Walt Disney Signature Collection commemorating the film's 70th anniversary.[86]

Sequels and other media [edit]

  • A direct-to-video sequel Cinderella Two: Dreams Come True was released in 2002.[5]
  • A 2d direct-to-video sequel Cinderella III: A Twist in Time in 2007.[5]
  • Cinderella and the Fairy Godmother have appeared as guests in Disney'southward House of Mouse.
  • Cinderella and the Fairy Godmother appear in the video game Kingdom Hearts and a world based on the film, Castle of Dreams, appears in Kingdom Hearts Birth by Sleep. All the main characters except Gus, Bruno, and the King appear.
  • A scaled-down stage musical version of the motion picture known as Disney's Cinderella KIDS is frequently performed by schools and children'due south theaters.[87]
  • A live-action adaptation of the moving picture produced by Walt Disney Pictures, directed by Kenneth Branagh was released in 2015; starring Lily James, Richard Madden, Cate Blanchett, and Helena Bonham Carter.
  • Cinderella and the other Disney Princesses all appeared every bit guest appearances in the 2018 film Ralph Breaks the Internet.[88]
  • The film was featured in the 2021 biographical drama movie Rex Richard.

Cultural impact and legacy [edit]

Smithsonian Magazine discussed how Cinderella endures and resonates, saying: "Dozens of other filmmakers have borrowed elements of the tale, starting as early on as 1899 with a French version directed by the pioneering filmmaker Georges Méliès."[89] Fourth dimension Magazine also discussed the films popularity saying: "References to Cinderella proliferated in popular civilisation and were widely used to sell consumer appurtenances. Shell Petroleum used an image of a fashionably dressed Cinderella exiting her pumpkin coach in an advertisement of the 1940s, Revlon lipstick boasted a new lipstick in a "Cinderella pumpkin" shade of orange, and Coty packaged perfume in a fake glass slipper."[90]

Cinderella is referred by many as 1 of the nearly recognizable tales in history. Parade Mag listed the film among the Greatest Animated films of all fourth dimension.[91] American Film Institute ranked Cinderella every bit the 9th Best Blithe Films of all time, saying: "1 of the nearly recognizable fairytale stories ever, Cinderella has stood the test of fourth dimension."[92] Readers Assimilate also listed the moving-picture show as ane of the most pop fairy tales of all time.[93]

See besides [edit]

  • Lists of animated feature films
  • List of Disney blithe films based on fairy tales
  • List of Disney theatrical blithe feature films

References [edit]

  1. ^ "CINDERELLA (U)". British Lath of Film Classification. March 9, 1950. Retrieved March 9, 2013.
  2. ^ Barrier 1999, p. 401.
  3. ^ a b c Bulwark 2008, p. 221.
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Bibliography [edit]

  • Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age . Oxford University Printing. ISBN978-0-198-02079-0.
  • Bulwark, Michael (2008). The Animated Human being: A Life of Walt Disney . University of California Press. ISBN978-0-520-25619-four.
  • Canemaker, John (2001). Walt Disney'south Nine Old Men and the Art of Animation. Disney Editions. ISBN978-0-786-86496-half-dozen.
  • Gabler, Neal (2006). Walt Disney: The Triumph of the American Imagination . Vintage Books. ISBN978-0-679-75747-iv.
  • Koenig, David (1997). Mouse Under Glass: Secrets of Disney Animation & Theme Parks . Irvine, California: Bonaventure Press. pp. 73–77. ISBN978-0-964-06051-7.
  • Pitts, Michael R. (2015). RKO Radio Pictures Horror, Scientific discipline Fiction and Fantasy Films, 1929-1956. McFarland & Company. ISBN978-0-786-46047-2.
  • Thomas, Bob (1994) [1976]. Walt Disney: An American Original . New York: Hyperion. ISBN978-0-786-86027-two.

External links [edit]

  • Official website
  • Cinderella at IMDb
  • Cinderella at the TCM Movie Database
  • Cinderella at The Large Cartoon DataBase
  • Cinderella at Rotten Tomatoes
  • Cinderella at Box Role Mojo

Source: https://en.wikipedia.org/wiki/Cinderella_(1950_film)

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